Lupo Celebrates 40th Anniversary with Five Nights of Music

Published in Woonsocket Call on September 20, 2015

Rich Lupo, 66, acknowledges that time flies by fast. In fact his namesake music venue, Lupo’s Heartbreak Hotel, celebrates its 40th Anniversary next month.   We sit at the Cup & Saucer, a retro-fifties decorated diner on Pawtucket’s historic Main St., reminiscing over four decades of being actively involved in Rhode Island’s music scene.

In September 1975, although primarily a blues club, Lupo’s became the first venue operating in the Capitol City to embrace all types of live music. The Brown University graduate opened Lupo’s Heartbreak Hotel at 377 Westminster Street (a 4,000 sq. ft. former retail store) after unsuccessful attempts to a find a location in Fox Point & North Main St.  Ultimately, his decision to open up that club (followed soon by The Met Café & The Living Room) led to a revitalization of Providence’s music scene.

The Early Years

In his early years, Lupo remembers working long hours as a house painter during his college years and after and saved up the $15,000 to start his bar.   As a teenager, he would tell others how cool he thought it would be to open a bar, with people dancing to records playing from a jukebox and listening to live bands. The young club owner dreamed of having Bo Diddley and other rock & roll heroes play on his stage.   This would happen.

According to Lupo, it turned out that customers only showed up on live music nights. So, while the jukebox stayed, band nights soon expanded from one to seven nights per week. The Heartbreak Hotel became a home to bands well-known for blues, rock n roll, country rock, jazz – that came to New England looking for a gig.  Many local favorites — including Roomful of Blues, Rizzz, Wild Turkey, The Young Adults, Schemers, NRBQ and Max Creek – played there and continue to do so.

Lupo says that the first national act at the club was harp player Big Walter Horton in November 1975.  In 1976, teaming up with independent booking agent Jack Reich allowed the club to expand past blues to rock and beyond. That year, The Ramones played his club.  In 1977, Lupo’s had Bo Diddley week – 9 consecutive sold out shows with Bo backed by The Young Adults. Over the next few years more rock n roll and blues icons appeared at Lupo’s: James Brown, Roy Orbison, Jerry Lee Lewis, Muddy Waters, Iggy Pop, The Pretenders, The Go Gos, Stevie Ray Vaughn — to name just a few.

Being Forced Out by Condo Development

In 1988, Providence downtown gentrification would force Lupo close his initial club.  Reaching out to a college friend & realtor, he found his new digs at the former Peerless Department Store, reopening in 1993. The new space was great because, though large, it still had a sense of intimacy.

With its’s 10,000 sq ft of space, the club could do more and larger concerts.  The space also annexed The Met Café, an intimate venue for smaller touring acts and local bands. At The Met, customers saw the early shows of future stars such as Dave Matthews, Oasis, and White Stripes.

At this 2nd Lupo’s, the first shows were Belly and Meat Loaf. Later, the club hosted acts as diverse as Ziggy Marley, Hole, Radiohead, Garbage, Willie Nelson, Green Day, Foo Fighters, Anthrax, and even Tony Bennett.

In 2003, the club was again forced to move and Providence City officials suggested the Strand Building on Washington Street. But the club had to share this space with the existing NV dance club, a separately owned business.

At its new location, there was no room for The Met. It would take 7 years for Lupo & his wife, Sarah, to reopen The Met, just three miles away at the Hope Artiste Village in Pawtucket.

Ending our conversation, Lupo looks back and quickly rattles off some of the ups and downs of the last 40 years.  Although there were plenty of both, Lupo best remembers realizing the dream of his heroes playing his stage and countless nights of joyous audiences – taking some of the sting out of spending 15 of the 40 years fighting evictions.

But, Lupo remains even-keeled by following advice from his eighty year old friend, Chuck Lynch, who always says “Just keep jogging in place.”  If he follows this advice I expect him to remain in business for another 40 years.

The Upcoming Anniversary Celebration

Lupo’s 40th Anniversary Celebration will take place on October 7 – 11, 2015 at The Met, Hope Artiste Village, 1005 Main St. Pawtucket.

Here are the details:

Wednesday, October 7 —   Max Creek $10 (Adv), Doors 6PM | Show 7PM

Thursday, October 8 — “40 Years of Rhody Blues” –  Hosted by Duke Robillard & featuring Al Copley, Rich Lataille, Greg Piccollo, Doug James, Carl Queforth, Marty Ballou, Marty Richards, Rob Nelson with Special Guests: Ken Lyon & James Montgomery. $10, Doors 6PM | Show 7PM

Friday, Oct. 9 — The Schemers, Neutral Nation, Jungle Dogs and Rash. $10, Doors 6PM | Show 7PM

Saturday, October 10 — Rizzz.  Members of the Wild Turkey Band
& Friends featuring Tom Keegan. $10, Doors 6PM | Show 7PM

Sunday, October 11 – The Young Adults, Georgie Porgie & The Cry Babies. $15, Doors 6PM | Show 7PM

For more details, call 401-331-5876 or go to www.lupos.com & http://www.themetri.com

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Rhode Island Can Hold Its Own When It Comes to Music

Published in Woonsocket Call, on March 15, 2015

New York, L.A. and Nashville have long been considered the music capitals of the United States. Now, with the Rhode Island Music Hall of Fame gearing up for its fourth annual induction season, Little Rhody is poised to prove it has the right combination of musical talent to hold its own against these highly regarded music communities.

Next month, trombonist/composer George Masso and 12 others join an elite group of Rhode Island musicians: those who have been recognized not only for their major impact on Rhode Island’s music scene but also on the national stage. Cranston native Masso, along with the other new inductees, will be enshrined by the Rhode Island Music Hall of Fame (RIMHOF) at this year’s induction ceremonies and concert events. Every year the Pawtucket-based nonprofit, formed in 2011, celebrates, honors, and preserves the legacy of Ocean State musicians, educators, and industry professionals.

Rick Bellaire, RIMHOF Vice Chair and Archive director, says it was an easy choice to recognize the 88-year-old musician. “During his illustrious career, George has excelled in just about every area of the music business – trombonist, composer, pianist, recording artist, arranger and educator,” adding that the George played with many of the national big bands in the 1940s and ‘50s and has toured and recorded as a sideman with some of our greatest jazz legends including Benny Goodman, Bobby Hackett and The World’s Greatest Jazz Band.

According to Bellaire, Masso has also released more than a dozen albums as a leader which feature many of his own compositions. “He also taught music in the Cranston public schools for eleven years and another eight years at the University of Connecticut mentoring some of our finest musicians including RIMHOF inductees,” says Bellaire.

George Masso will be inducted into RIMHOF along with Mark Cutler and his bands, The Schemers and Raindogs; Brenda Bennett, Nelson Eddy, George Wein, Duke Belaire, Paco Zimmer; Georgie Porgie & The Cry Babies, The Others and The Ascots (recognizing the great Rhode Island garage bands of the ‘60s); and Bob Petteruti, Marty Ballou and Marty Richards (in the new “MVP sideman award” category).

“This year, we will be honored to have some of the most senior inductees with us,” he continued, “all of whom are still active participants on the music scene, including Mr. Masso, drummer/band leader Duke Belaire (83) and bassist/educator Bob Petteruti (85).”

The Music Hall of Fame initiative,” says Bellaire, “provides a great opportunity to not only acknowledge Rhode Island’s musical greats and celebrate their achievements, but to finally have an organization whose primary goal is to promote and preserve Rhode Island’s rich musical heritage in all its forms. With actual exhibit space, coupled with our online archive, we have in place the tools to curate and showcase the best of Rhode Island’s musical artistry.”

Adds Robert Billington, Chair of RIMHOF noted, “This year’s class of inductees is especially amazing due to the variety of music styles and musical periods that we are recognizing. The thousand Saturday nights that these musicians spent on the road throughout their careers will be recognized this April as their colleagues throughout Rhode Island stand to applaud their successes.”

“Our Induction ceremony in April has become the place for a ‘who’s who’ in Rhode Island music. The Rhode Island Music Hall of Fame Induction Ceremony and Concert is the place to be and be seen at as we continue to showcase the history of Rhode Island’s musical heroes,” says Billington.

This year, Bellaire said, there will be two induction events, and 11 more displays will be unveiled to celebrate inductees. Eventually, the museum will have more than 100 displays as well as memorabilia and interactive components.

The 2015 induction ceremonies will take place on two days, April 20 and April 26, at two separate locations.

The jazz inductions will take place on Monday, April 20, 7:00 p.m. at Bovi’s Tavern, 287 Taunton Avenue, East Providence, before the weekly performance by the Bovi’s big band, the John Allmark Orchestra. Being honored on that day will be George Masso, Bob Petteruti and Duke Belaire, the founder of the Bovi’s band.

The Induction Ceremony and Concert is set for Sunday, April 26, 2:00 p.m. at The Met and Hall of Fame itself, both located within the Hope Artiste Village complex, 999 Main St., Pawtucket, RI. Sunday’s afternoon event will include the unveiling of nine new exhibits as well as performances by The Schemers and Raindogs, Brenda Bennett, The Ascots, The Others, and an all-star jam session led by two of this year’s MVP sideman award winners, Marty Ballou and Marty Richards. Sunday’s concert will be preceded by the unveiling of eleven new 2015 inductee exhibits.

Tickets for the April 26 event at The Met are $20.00 in advance and $25.00 at the door. The 2 p.m. unveiling of the inductee exhibits is free and open to the public; a ticket will be required for entrance to the 3 p.m. concert in The Met. Information regarding the April 20 event and tickets for April 26 can be found at www.rhodeislandmusichalloffame.com.

All proceeds from RIMHOF’s annual induction events go toward creating the museum displays, acquiring recordings and memorabilia, and digitizing that collection for permanent online access for future generations. All organizational work has been donated by members of the Board Of Directors and a staff of volunteers.

For general information regarding the Rhode Island Music Hall of Fame, contact Dr. Robert Billington at 401-724-2200 or at bvri@aol.com.

Herb Weiss LRI ’12 is a Pawtucket-based writer who covers aging, health care and medical issues.  He can be reached at hweissri@aol.com.

Leonard Hits High Notes

Published February 27, 2015 in Senior Digest

Before even cutting his first record, little did Pawtucket’s George Leonard realize that he would help set legal precedents for student dress codes as well as ultimately make it into the rock ‘n’ roll history books and now, in 2015, into the Rhode Island Music Hall of Fame (RIMHOF).

When Leonard’s family relocated to nearby Attleboro in 1964, the young high school student was tossed out on the first day of school for having a “Beatle-length” haircut. Already an established professional musician, Leonard filed a freedom of expression lawsuit against the School Department, which dragged on through several appeals and wound up in the Massachusetts Supreme Court. Although the court finally sided with the School Department, it was too late.

“This was a landmark case. Students all over the country, following George’s example, began demanding their right to freedom of expression as guaranteed by the U.S. Constitution. Long hair became the order of the day,” said Rick Bellaire, RIMHOF vice chair and archive director.

The teenager deftly capitalized on the intense interest generated by the internationally publicized lawsuit, which brought his band, Georgie Porgie & The Cry Babies, onto the thriving New York City discotheque scene of the mid-1960s.

The popularity of the band led to two national releases for Jubilee Records. After the Cry Babies ran its course, Leonard composed and produced the controversial rock opera, “Bozo.”   He later, under his alter-ego, “Commander Video,” became a cable TV pioneer on the blossoming performance art scene in New York City in the 1970s.

Although the 67-year-old musician resides in Bristol, he still strongly feels his connections to Pawtucket. “I only perform for my friends these days,” says Leonard, admitting that he enjoys playing jazz much more than rock ‘n’ roll and blues.

Looking back, Leonard says that passion never pushed him into the music business. Practically speaking, “It was always easy for me to play music and I enjoyed writing songs,” he said.

According to Bellaire, Leonard will be inducted into the RIMHOF with The Schemers/Raindogs, Brenda Bennett, Nelson Eddy, George Masso, George Wein, Duke Belaire, Paco Zimmer, The Others and The Ascots (recognizing the great Rhode Island garage bands of the ‘60s along with Leonard), Bob Petteruti, Marty Ballou and Marty Richards (in the new “MVP sideman award” category).

“The Music Hall of Fame initiative,” says Bellaire, “provides a great opportunity to not only acknowledge Rhode Island’s musical greats and celebrate their achievements, but to finally have an organization whose primary goal is to promote and preserve Rhode Island’s rich musical heritage in all its forms. With actual exhibit space, coupled with our online archive, we have in place the tools to curate and showcase the best of Rhode Island’s musical artistry.”

This year, Bellaire said, there will be two induction ceremonies, and 11 more displays will be unveiled to celebrate inductees. Eventually, the museum will have more than 100 displays as well as memorabilia and interactive components.

The induction of jazz musicians will take place on April 20 at 7 p.m. at Bovi’s Tavern, 287 Taunton Ave., East Providence, before the weekly performance by the John Allmark Jazz Orchestra. George Masso, Bob Petteruti and Duke Belaire, the founder of the Bovi’s big band, will be honored.

On April 26, there will be an induction ceremony and concert at The MET and Hall of Fame within Hope Artiste Village, 999 Main St., Pawtucket. An afternoon event will include the unveiling of the inductee exhibits as well as performances by The Schemers, Raindogs, Brenda Bennett, The Ascots, TheOthers and an all-star jam session led by two of this year’s MVP sideman award winners — Ballou and Richards.

The 2 p.m. unveiling is free, but a ticket will be required for entrance to the 3 p.m. concert in the MET. Tickets are $20 in advance and $25 at the door and can be purchased atwww.RhodeIslandMusicHallofFame.com

Robert Billington, chair of the RIMHOF, said, “This year’s class of inductees is especially amazing due to the variety of music styles and musical periods that we are recognizing. The thousand Saturday nights that these musicians spent on the road throughout their careers will be recognized this April as their colleagues throughout Rhode Island stand to applaud their successes.

“Our induction ceremony … has become the place for a ‘who’s who in Rhode Island music,” he said. “The Rhode Island Music Hall of Fame Induction ceremony and concert is the place to be and be seen at as we continue to showcase the history of Rhode Island’s musical heroes.”

Bellaire noted, “In past years, we’ve been delighted to induct many senior members of Rhode Island’s music community. For instance, last year The Mark II – Wayne Cogswell and Ray Peterson who are both in their 80s — were on hand to accept their awards and perform, and Rhode Island Philharmonic founder Francis Madeira at 97 came all the way down from Maine to accept his award during a philharmonic performance at The Vets.

“This year, we will be honored to have some of the most senior inductees with us,” he continued, “… all of whom are still active participants on the music scene, including drummer/band leader Duke Belaire (83), bassist/educator Bob Petteruti (85), trombonist/educator George Masso (88), and Newport Jazz and Folk festival founder George Wein (89).”

Herb Weiss is a Pawtucket-based writer. Contact him at hweissri@aol.com.

 

Red Bandana Fund Concert to be Walton’s Legacy

Published in Pawtucket Times, June 7, 2013

           Richard Walton, who died on Dec. 27, would have loved it.  Five months after his death one late Sunday afternoon, over 40 people including the musicians who had just played at The Red Bandana Fund Inaugural Concert (that was attended by hundreds), family members along with the organizers and volunteers of this fundraiser, gathered to drink beer and reminisce about Walton’s extraordinary life at his favorite Pawtucket hangout, Doherty’s East Avenue Irish Pub.

          People swapped favorite stories for hours, detailing how the late Walton “touched their lives,” noted one attendee, Richard Wahlberg, one of the organizers.  “Every one had such an interesting story to tell about Richard,” he stated, noting that the Warwick resident, known as a social activist, educator, humanitarian, very prolific writer, and a co-founder of Pawtucket’s Stone Soup Coffee House “had made everyone feel that they themselves had a very special, close relationship with him.” 

         Seeing so many of Walton’s friends at June 2nd concert, Wahlberg and other attending viewed the event as a “gathering of the clan” since the audience was really Walton’s extended Rhode Island family.    

 Walton’s Legacy of Supporting the Needy

         The idea to organize last weekend’s fundraiser concert to raise money to support the causes of the late Richard Walton and others like him who work to improve the human condition was literally kicked around a few days after Walton’s death by his daughter, Cathy Barnard, his son Richard and a few close friends, noted nationally-acclaimed children’s entertainer and storyteller, Bill Harley.   

          According to Harley, an annual fundraiser, supporting the newly formed Red Bandana Fund, would replace Walton’s annual birthday bash – usually held the first Sunday in June – to raise money for Amos House & the Providence-Niquinohomo Sister City Project and other progressive causes.  Over 24 years, Walton had raised large sums of money for these favorite charities, attracting hundreds of people each year including the state’s powerful political and media elite to celebrate his progressive causes at his family compound located at Pawtuxet Cove in Warwick. 

         Coming up with a name for Walton’s fundraiser that would ultimately be tied to his unique fashion sense and was the idea of her brother, Richard, states Barnard.  Her brother, like most people, had a vivid, visual image of his father, who had long white hair and beard, being known for wearing his trademark worn blue jean overalls, a red bandana and Stone Soup baseball cap.

          “When Dad’s closest friends came over to the house after his death they wanted one of his red bandanas to remember him,” Barnard remembered.

       “It was like a talisman to them,” stated Barnard, that became a great way to create the perfect moniker and recognition for an upcoming fundraiser.

          Barnard says that her father didn’t opt for a traditional burial, so there would be no monument of stone over his grave to remember him or a place for family and friends to visit.  His cremated remains were scattered the day before the Sunday fundraiser by his family and very close friends in his beloved garden and sent by paper boat from the inlet where his compound was located into Narragansett Bay.

         But, there is The Red Bandana Fund now, says Barnard, noting that “we cannot think of a more appropriate memorial.”  Over 300 people attended the inaugural Walton fundraiser, bringing in more than $12,000 from ticket sales, silent action and raffle.

          At this event, the first recipient of The Red Bandana Fund Award, Amos House, was chosen because of Walton’s very long relationship with the Providence-based nonprofit.  He was a founding board member, serving for over 30 years, being board chair for a number of years.  For almost three decades, the homeless advocate spent an overnight shift with the men who lived in the 90-Day Shelter Program each Thursday bringing them milk and cookies.  Each Friday morning he would make pancakes and eggs in the soup kitchen for hundreds of men and women who came to eat a hot meal.

 Putting the Pieces Together

         The organizers were gathered by Bill Harley on the advice of Richard’s family and those closest to him from the progressive community and organizations Richard was affiliated with.  In true Richard Walton fashion this was a largely self organizing group built on the complementary strengths of the members, noted Wahlberg.  Over five months, this group had planned all the organizational facets, from marketing, pre-selling tickets, booking Shea High School, recruiting volunteers for the day of the event, along with getting items donated to be sold at a silent auction and raffle.

         With the decision to host a fundraising concert, “it became incredibly painful to have to limit the list of who we would invite to play,” said Harley, noting that every one who knew Walton wanted to perform to pay tribute to him.

          As Rudy Cheeks, of Phillipe + Jorge’s Cool, Cool, World, would remark in his May 31st column, the two hour concert would be an amazing blend of folk and traditional music, a little bit of classical, along with singer-songwriting greats, all sharing the same stage for the evening.  They included: widely recognized singers and song writers, Bill Harley, Kate Katzberg, Atwater-Donnelly, Sally Rogers and Howie Bursen, Christina Tompson, accompanied by Cathy Clasper-Torch on fiddle and Marty Ballou on stand up bass.  Consuelo Sherba opened the concert by playing a short classical set.

        According to Harley, who served as the event’s musical director, internet files of the selected music (three songs for each performer) went back and forth between those chosen to play, to help them to quickly learn the music to be played at the upcoming concert.  He noted that each song had to have simple chord arrangements with words that the audience could easily remember. Most important, “these songs were chosen to reflect who Richard, the person was,” he said.  Amazingly, the musicians would gather just two hours before the performance to practice with each other.

 Those Who Knew Him

         At intermission, I caught up with Andy Smith, former music critic at the Providence Journal who now covers hard news for that daily paper.  He knew Walton for years covering Stone Soup Coffee House and sporadically attending his legendary birthday party over the years.  “No one could hang out in Rhode Island without knowing about Richard Walton,” he says.  That’s true.

         The Red Bandana Fund Inaugural Concert was a “very sweet, very nice chance for people who know Richard to come together and celebrate his life,” observed Smith, noting that “the best way to do this was through music.”  He would have had a good time if he were here today, says Smith, adding that  “May be he is here [in spirit].”

         Like many attendees, Jane Falvey, treasurer of Stone Soup Coffee House noted, that Walton touched many lives. “Like stones cast into a pond, the ripples form ever-widening circles that overlap, and so it was at the inaugural Red Bandana Concert – Richard’s many circles embracing each other in remembering and celebrating his wonderful life and the purpose he created in all of us,” she said.

        Also in attendance, Dr. Michael Fine, Director of Rhode Island’s Department of Health, who came with his wife, Carol, called Walton  his “old friend,”  giving him a unique descriptive nickname, the “Prince of Pay it Forward.”

         Dr. Fine believes that Walton understood the value of living in a democracy. “He taught us about this value and gave us examples of what we would have to do each and every day to keep it alive,” he said.  Walton also taught us how to take care of each other,” stated Dr. Fine. 

         Linde Rachel, a resident of Maureillas, France, and companion of Walton’s for 9 years who traveled with him throughout Europe, Africa and the Baltic States, sees an important message in the songs sung at last Sunday’s The Red Bandana Fundraiser.  “The songs were all about being part of a community, the one that he helped to create and was part of,” stated Rachel.   

         Days later, Barnard tells me that she is thrilled with the success of The Red Bandana Fund Inaugural Concert.  “We were amazed at the large turnout,” she says, noting that she even met people in person she had heard her father talk about over his long years.

         “We’re hoping that this will be just the beginning and not the end of it,” says Barnard, the beginning legacy of her father’s long-tradition of giving back to those in need.

       Her father would surely nod his head in agreement.

          For more information about donating to The Red Bandana Fund, go to http://www.soup.org/page1/RedBandana.html.

         Herb Weiss, LRI’12, is a writer who covers health care, aging, and medical issues.  He can be reached at hweissri@aol.com.