Longtime Fans Looking Forward to RIMHOF Induction Ceremonies

Published in Woonsocket Call on April 23, 2017

With extreme regularity, Pawtucket West High School student Steve Cohen arrived every Monday and Tuesday night at Lupo’s Heartbreak Hotel in Providence just like clockwork to listen to his two favorite Rhode Island bands, Rizzz and the Wild Turkey Band. Next Sunday, Cohen and hundreds of other people will gather at the Hope Artiste Village mill complex to see Rizzz, Wild Turkey and Hometown Rockers and eight other inductees be brought into the Rhode Island Music Hall of Fame’s Class of 2017.

The Pawtucket-based RIMHOF, formed in 2011, is a nonprofit organization dedicated to celebrating, honoring, and preserving the musical legacy of Rhode Island
musicians, educators and industry professionals who have made significant contributions to both the national and Ocean State music scene.

Looking Back at Over Forty Years of Musical Memories

Cohen, 63, who considers himself a music aficionado, remembers going to long gone Rhode Island music hangouts like The Act, January’s, The Edge and Gulliver’s to catch a set or two of Rizzz and the The Wild Turkey Band/Hometown Rockers. The native Pawtucket resident says that his love for music began at age 16 and continues to this day.

“I know every original song played by Rizzz and Wild Turkey Band by heart,” claims Cohen.

Rick Bellaire, 62, Vice Chair of RIMHOF, has memories of how Rizzz helped change the course of his musical career. “When I was in my freshman year at Rhode Island College, I was playing in a hard rock cover band to pay my way through school. It was very successful, but I didn’t like the music,” says Bellaire. After watching the original 6 piece lineup of Rizzz play a song by The Band followed by an original to a packed house at Gulliver’s in Smithfield, he said to himself, “Now that’s what I want to do.”

Bellaire gave notice to his hard rock band the next day and never looked back. “You’ll find dozens of musicians in southern New England whose experiences with Rizzz, Wild Turkey and Hometown Rockers were similar,” he says.

After the Rizzz and The Wild Turkey Band/Hometown Rockers officially broke up, over the years Cohen and Bellaire regularly attended these band’s reunions. Being by the stage at these reunion shows brought a flood of memories from over 40 years earlier to Cohen from the days he followed the two local bands as a high school and later a college student.

Cohen is adamant that Rizzz and The Wild Turkey Band/Hometown Rockers were great bands in the ‘70s and ‘80s. After attending their recent reunions he says these bands have not lost their “mojo.”

Reunions are always special occasions, like anniversaries, fund raisers, and they are never disappointing to Bellaire. “As good as they ever were. So not ‘better,’ but just as great. Rizzz still has all 10 members from the various lineups – how could it not be great!

It’s the same with Wild Turkey/Hometown Rockers. Although they’ve lost some important original members – Pat Davis, Paul Gaudette, Kevin Falvey – they always have top notch players who are also fans sitting in for those guys and they feature the principal frontmen from each configuration, John Baldaia and Tom Keegan. When they get together, it’s always incredible,” Bellaire says.

With the establishment of the Rhode Island Music Hall of Fame six years ago, through the efforts of Bellaire and others, Rizzz and The Wild Turkey Band/Hometown Rockers and eight other inductees – Artie Cabral, Phil Greene, Dan Moretti, Neutral Nation, Billy Osborne, Plan 9, Frank Potenza and Throwing Muses – will be inducted in 2017.

Musicians Get Long-Awaited Recognition

“The Music Hall of Fame initiative,” says Rick Bellaire, “provides a great opportunity to not only acknowledge Rhode Island’s musical greats and celebrate their achievements, but to finally have an organization whose primary goal is to promote and preserve their music and stories. We have in place the tools to curate and showcase the best of Rhode Island’s musical artistry.”

Adds, Robert Billington, Chair of RIMHOF, “The Hall of Fame Induction Ceremony and concerts have become the place to be and be seen at as we continue to showcase the fascinating history of Rhode Island’s musical heroes. The events are a virtual ‘who’s who’ of Rhode Island music history.”

With ten inductees in RIMHOF’s Class of 2017, organizers split this year’s celebration into three separate events with the Jazz and R&B inductions taking place last Sunday at the Greenwich Odeum. There will be two more induction concerts held at The Met next weekend. On Saturday, April 29, at 8:00 p.m., the 2017 RIMHOF Rock Induction Concert – Part I will feature performances by Plan 9, Neutral Nation, and Kristin Hersh, David Narcizo, and Fred Abong of Throwing Muses.

On Sunday, April 30, the unveiling of all ten RIMHOF Class of 2017 inductee exhibits will take place at 2:00 p.m. at the Pawtucket-based Hope Artiste Village, 999 Main St., followed by the 2017 RIMHOF Rock Induction Concert – Part 2 featuring Rizzz, Phil Greene, and the Wild Turkey Band/Hometown Rockers, beginning at 3:00 p.m.

Since its initial induction six years ago, a total of 53 inductee exhibits were produced. Eventually, the Pawtucket museum will hold more than 100 displays as well as assorted Rhode Island musical history memorabilia and interactive components for the visitors to enjoy.

Tickets for the April 29 and April 30 events at The Met are $20.00 in advance and $25.00 at the door. While the Unveiling Ceremony is free, a ticket will be required for entrance to Sunday’s 3:00 p.m. concert in The Met. Tickets for the April 29 and April 30 concerts can be purchased at themetri.com.

All proceeds from RIMHOF’s annual induction events go toward creating the museum displays, acquiring recordings and memorabilia, and digitizing that collection for permanent online access for future generations. All organizational work has been donated by RIMHOF’s Board of Directors and volunteers.
For profiles of the inductees, visit http://www.rhodeislandmusichalloffame.com.\

 

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Abate Joins Exclusive Class of Musicians

Published in Woonsocket Call on February 28, 2016

Sometimes a simple happenstance can propel a person into life’s mission. This happened to nine-year-old Greg Abate, when his mother, Elvira, rented a clarinet from a traveling salesman who just by chance came by their Woonsocket home. A rented instrument led to the youngster joining his school band, where he began playing clarinet and alto sax.

Abate has come a long from his first music recital to his elementary school classmates. More than 27 years of playing in Jazz Festivals, Jazz Societies and Jazz Clubs, even being tutored by some of the greatest jazz players, has pushed him to the top of his craft.

Now, in recognition of Abate’s long musical career and being a driving force in the world of jazz, in April the Rhode Islander will be among the eight new inductees who are brought into the Rhode Island Music Hall of Fame (RIMHOF). His fellow inductees include: Frankie Carle, Bill Harley, Carl Henry, Carol Sloane, Sugar Ray & The Bluetones, Richard Walton and The Fabulous Motels/The Young Adults/Rudy Cheeks.

According to Rick Bellaire, Rhode Island Music Hall of Fame (RIMHOF)’s Vice Chair and Archive director, “Greg Abate is one of our state’s most popular and successful musicians. He has been well-known in southern New England for forty years and has been a star on the international stage for the past thirty. At the beginning, the board wanted to establish credibility by adhering to chronology and inducting historical figures first in many categories. With the inductions of Bobby Hackett, Dave McKenna, Paul Gonsalves, George Wein and George Masso, this year’s jazz inductions of Frankie Carle, Carol Sloane and Greg establish an unbroken line which not only stretches all the way from the 1930s to the present, but clearly illustrates Rhode Island’s truly important place in jazz history.”

Bellaire adds, “Greg is universally recognized as one of the finest players performing and recording today. His massive body of work and international touring history clearly place him on the list of all-time greats. Here’s a good example. Greg’s new album, Kindred Spirits, recorded with legendary alto saxophonist Phil Woods, has just been released. Although the late Mr. Woods had been recording since the 1940s, Greg has clearly leveled the playing field. In a review of the album for the All About Jazz website, Edward Blanco declared, “…both masters are at their best.”

Before he died last September, Phil Wood, considered one of the best alto saxophone players, said, “I sleep a lot better knowing that there are alto players like Greg. It was a joy to make music with him and he writes good songs that are challenging.”

Playing With the Greatest

Upon finishing a four-year program at Berklee College of Music, Abate joined the Los Angeles jazz scene, playing with David Clark Expedition and other local rhythm and blues groups. An audition led to his first high-profile gig, playing lead alto for the Ray Charles Orchestra from 1973 to 1974. He would record his first record with this group.

Abate came back to the Ocean State in 1976 to launch his career, forming the fusion band Channel One, ultimately releasing his first album, Without Boundaries, in 1981. Playing throughout Connecticut to New York for seven years brought attention to this group and made it a favorite of many New Englanders.

At that time, “I wrote lots of music and did a lot of hard, serious playing,” he remembers. The young musician took an opportunity to play tenor sax with the revived Artie Shaw Orchestra under the leadership of Dick Johnson from 1986 to ’87. For the next two years he would play with the Providence-based Duke Belaire Jazz Orchestra, honing his musical skills. “I received some of my greatest musical education from some of the greatest players from this band,” he says.

Working and learning from the greatest, Abate would begin a solo career showcasing his unique style bring him worldwide notice.

Today, Abate, a sixty-six year old Coventry resident, is internationally acclaimed for his mastery of jazz. He says, “Music found me, I did not find it.” Over his musical career, the jazz saxophonist, flutist, composer and educator, has released 18 recordings.

Last year, Abate traveled over 200 days playing in Jazz Festivals, Jazz Societies and Jazz Clubs. He has performed in 30 countries, playing in every state in the national, except Montana, Alaska and Oregon.

Looking back at his career, Abate says, “The tradition of jazz is very important to me and I take it very seriously. Jazz is just in my blood.”

RIMHOF’s Fifth Class of Inductees

Robert Billington, Chair of the RIMHOF noted, “This year’s class of inductees is especially amazing due to the variety of music styles and musical periods that we are recognizing. The thousand Saturday nights that these musicians spent on the road throughout their careers will be recognized this April as their colleagues throughout Rhode Island stand to applaud their success.”

“The Music Hall of Fame initiative,” says Rick Bellaire, vice chair of RIMHOF, “provides a great opportunity to not only acknowledge Rhode Island’s musical greats and celebrate their achievements, but to finally have an organization whose primary goal is to promote and preserve Rhode Island’s rich musical heritage in all its forms. With actual exhibit space, coupled with our planned online digital archive, we will have in place the tools to curate and showcase the best of Rhode Island’s musical artists.”

This year’s induction ceremonies and concert events will take place on three days, April 21, April 24, and April 30, and will take place at three separate locations.

The jazz inductions will take place on Thursday, April 21, 7:00 p.m. at Chan’s, 267 Main St., Woonsocket. Being honored on April 21 will be Frankie Carle, Greg Abate and Carol Sloane. Supporting Abate and Sloane in their musical selections will be Tim Ray on piano, bass player Marty Ballow and Marty RIchards on drums. Tickets for the April 21 event at Chan’s are $15.00.

The 2016 RIMOF Induction Ceremony and Concert is set for Sunday, April 24, 2:00 p.m. at The Met and Hall of Fame itself, both located within the Hope Artiste Village Complex, 999 Main St., Pawtucket RI. Sunday’s afternoon event will include the unveiling of eight new exhibits (now totaling 48 exhibits) as well as performances by The Young Adults, Sugar Ray & the Bluetones and Bill Harley performing a set of his adult music. This concert will be proceeded by the unveiling of all eight 2016 inductee exhibits. Tickets for the April 24 event at The Met are $20.00 in advance and $25.00 at the door. The 2 p.m. unveiling of the inductee exhibits are free and open to the public; a ticket will be required for entrance to the 3:00 p.m. concert in the Met.

On Saturday, April 30, 2:00 p.m., Bill Harley will be presenting a family show featuring selections from his award-winning children’s recordings at the Blackstone River Theatre, 549 Broad St., Cumberland. Tickets for the April 30 event are $6.00 for children and $12.00 for adults with a family cap of $ 36.00.

Tickets for the three separate events can be purchased by visiting:
http://www.rhodeislandmusichalloffame.com.

Rhode Island Can Hold Its Own When It Comes to Music

Published in Woonsocket Call, on March 15, 2015

New York, L.A. and Nashville have long been considered the music capitals of the United States. Now, with the Rhode Island Music Hall of Fame gearing up for its fourth annual induction season, Little Rhody is poised to prove it has the right combination of musical talent to hold its own against these highly regarded music communities.

Next month, trombonist/composer George Masso and 12 others join an elite group of Rhode Island musicians: those who have been recognized not only for their major impact on Rhode Island’s music scene but also on the national stage. Cranston native Masso, along with the other new inductees, will be enshrined by the Rhode Island Music Hall of Fame (RIMHOF) at this year’s induction ceremonies and concert events. Every year the Pawtucket-based nonprofit, formed in 2011, celebrates, honors, and preserves the legacy of Ocean State musicians, educators, and industry professionals.

Rick Bellaire, RIMHOF Vice Chair and Archive director, says it was an easy choice to recognize the 88-year-old musician. “During his illustrious career, George has excelled in just about every area of the music business – trombonist, composer, pianist, recording artist, arranger and educator,” adding that the George played with many of the national big bands in the 1940s and ‘50s and has toured and recorded as a sideman with some of our greatest jazz legends including Benny Goodman, Bobby Hackett and The World’s Greatest Jazz Band.

According to Bellaire, Masso has also released more than a dozen albums as a leader which feature many of his own compositions. “He also taught music in the Cranston public schools for eleven years and another eight years at the University of Connecticut mentoring some of our finest musicians including RIMHOF inductees,” says Bellaire.

George Masso will be inducted into RIMHOF along with Mark Cutler and his bands, The Schemers and Raindogs; Brenda Bennett, Nelson Eddy, George Wein, Duke Belaire, Paco Zimmer; Georgie Porgie & The Cry Babies, The Others and The Ascots (recognizing the great Rhode Island garage bands of the ‘60s); and Bob Petteruti, Marty Ballou and Marty Richards (in the new “MVP sideman award” category).

“This year, we will be honored to have some of the most senior inductees with us,” he continued, “all of whom are still active participants on the music scene, including Mr. Masso, drummer/band leader Duke Belaire (83) and bassist/educator Bob Petteruti (85).”

The Music Hall of Fame initiative,” says Bellaire, “provides a great opportunity to not only acknowledge Rhode Island’s musical greats and celebrate their achievements, but to finally have an organization whose primary goal is to promote and preserve Rhode Island’s rich musical heritage in all its forms. With actual exhibit space, coupled with our online archive, we have in place the tools to curate and showcase the best of Rhode Island’s musical artistry.”

Adds Robert Billington, Chair of RIMHOF noted, “This year’s class of inductees is especially amazing due to the variety of music styles and musical periods that we are recognizing. The thousand Saturday nights that these musicians spent on the road throughout their careers will be recognized this April as their colleagues throughout Rhode Island stand to applaud their successes.”

“Our Induction ceremony in April has become the place for a ‘who’s who’ in Rhode Island music. The Rhode Island Music Hall of Fame Induction Ceremony and Concert is the place to be and be seen at as we continue to showcase the history of Rhode Island’s musical heroes,” says Billington.

This year, Bellaire said, there will be two induction events, and 11 more displays will be unveiled to celebrate inductees. Eventually, the museum will have more than 100 displays as well as memorabilia and interactive components.

The 2015 induction ceremonies will take place on two days, April 20 and April 26, at two separate locations.

The jazz inductions will take place on Monday, April 20, 7:00 p.m. at Bovi’s Tavern, 287 Taunton Avenue, East Providence, before the weekly performance by the Bovi’s big band, the John Allmark Orchestra. Being honored on that day will be George Masso, Bob Petteruti and Duke Belaire, the founder of the Bovi’s band.

The Induction Ceremony and Concert is set for Sunday, April 26, 2:00 p.m. at The Met and Hall of Fame itself, both located within the Hope Artiste Village complex, 999 Main St., Pawtucket, RI. Sunday’s afternoon event will include the unveiling of nine new exhibits as well as performances by The Schemers and Raindogs, Brenda Bennett, The Ascots, The Others, and an all-star jam session led by two of this year’s MVP sideman award winners, Marty Ballou and Marty Richards. Sunday’s concert will be preceded by the unveiling of eleven new 2015 inductee exhibits.

Tickets for the April 26 event at The Met are $20.00 in advance and $25.00 at the door. The 2 p.m. unveiling of the inductee exhibits is free and open to the public; a ticket will be required for entrance to the 3 p.m. concert in The Met. Information regarding the April 20 event and tickets for April 26 can be found at www.rhodeislandmusichalloffame.com.

All proceeds from RIMHOF’s annual induction events go toward creating the museum displays, acquiring recordings and memorabilia, and digitizing that collection for permanent online access for future generations. All organizational work has been donated by members of the Board Of Directors and a staff of volunteers.

For general information regarding the Rhode Island Music Hall of Fame, contact Dr. Robert Billington at 401-724-2200 or at bvri@aol.com.

Herb Weiss LRI ’12 is a Pawtucket-based writer who covers aging, health care and medical issues.  He can be reached at hweissri@aol.com.

Leonard Hits High Notes

Published February 27, 2015 in Senior Digest

Before even cutting his first record, little did Pawtucket’s George Leonard realize that he would help set legal precedents for student dress codes as well as ultimately make it into the rock ‘n’ roll history books and now, in 2015, into the Rhode Island Music Hall of Fame (RIMHOF).

When Leonard’s family relocated to nearby Attleboro in 1964, the young high school student was tossed out on the first day of school for having a “Beatle-length” haircut. Already an established professional musician, Leonard filed a freedom of expression lawsuit against the School Department, which dragged on through several appeals and wound up in the Massachusetts Supreme Court. Although the court finally sided with the School Department, it was too late.

“This was a landmark case. Students all over the country, following George’s example, began demanding their right to freedom of expression as guaranteed by the U.S. Constitution. Long hair became the order of the day,” said Rick Bellaire, RIMHOF vice chair and archive director.

The teenager deftly capitalized on the intense interest generated by the internationally publicized lawsuit, which brought his band, Georgie Porgie & The Cry Babies, onto the thriving New York City discotheque scene of the mid-1960s.

The popularity of the band led to two national releases for Jubilee Records. After the Cry Babies ran its course, Leonard composed and produced the controversial rock opera, “Bozo.”   He later, under his alter-ego, “Commander Video,” became a cable TV pioneer on the blossoming performance art scene in New York City in the 1970s.

Although the 67-year-old musician resides in Bristol, he still strongly feels his connections to Pawtucket. “I only perform for my friends these days,” says Leonard, admitting that he enjoys playing jazz much more than rock ‘n’ roll and blues.

Looking back, Leonard says that passion never pushed him into the music business. Practically speaking, “It was always easy for me to play music and I enjoyed writing songs,” he said.

According to Bellaire, Leonard will be inducted into the RIMHOF with The Schemers/Raindogs, Brenda Bennett, Nelson Eddy, George Masso, George Wein, Duke Belaire, Paco Zimmer, The Others and The Ascots (recognizing the great Rhode Island garage bands of the ‘60s along with Leonard), Bob Petteruti, Marty Ballou and Marty Richards (in the new “MVP sideman award” category).

“The Music Hall of Fame initiative,” says Bellaire, “provides a great opportunity to not only acknowledge Rhode Island’s musical greats and celebrate their achievements, but to finally have an organization whose primary goal is to promote and preserve Rhode Island’s rich musical heritage in all its forms. With actual exhibit space, coupled with our online archive, we have in place the tools to curate and showcase the best of Rhode Island’s musical artistry.”

This year, Bellaire said, there will be two induction ceremonies, and 11 more displays will be unveiled to celebrate inductees. Eventually, the museum will have more than 100 displays as well as memorabilia and interactive components.

The induction of jazz musicians will take place on April 20 at 7 p.m. at Bovi’s Tavern, 287 Taunton Ave., East Providence, before the weekly performance by the John Allmark Jazz Orchestra. George Masso, Bob Petteruti and Duke Belaire, the founder of the Bovi’s big band, will be honored.

On April 26, there will be an induction ceremony and concert at The MET and Hall of Fame within Hope Artiste Village, 999 Main St., Pawtucket. An afternoon event will include the unveiling of the inductee exhibits as well as performances by The Schemers, Raindogs, Brenda Bennett, The Ascots, TheOthers and an all-star jam session led by two of this year’s MVP sideman award winners — Ballou and Richards.

The 2 p.m. unveiling is free, but a ticket will be required for entrance to the 3 p.m. concert in the MET. Tickets are $20 in advance and $25 at the door and can be purchased atwww.RhodeIslandMusicHallofFame.com

Robert Billington, chair of the RIMHOF, said, “This year’s class of inductees is especially amazing due to the variety of music styles and musical periods that we are recognizing. The thousand Saturday nights that these musicians spent on the road throughout their careers will be recognized this April as their colleagues throughout Rhode Island stand to applaud their successes.

“Our induction ceremony … has become the place for a ‘who’s who in Rhode Island music,” he said. “The Rhode Island Music Hall of Fame Induction ceremony and concert is the place to be and be seen at as we continue to showcase the history of Rhode Island’s musical heroes.”

Bellaire noted, “In past years, we’ve been delighted to induct many senior members of Rhode Island’s music community. For instance, last year The Mark II – Wayne Cogswell and Ray Peterson who are both in their 80s — were on hand to accept their awards and perform, and Rhode Island Philharmonic founder Francis Madeira at 97 came all the way down from Maine to accept his award during a philharmonic performance at The Vets.

“This year, we will be honored to have some of the most senior inductees with us,” he continued, “… all of whom are still active participants on the music scene, including drummer/band leader Duke Belaire (83), bassist/educator Bob Petteruti (85), trombonist/educator George Masso (88), and Newport Jazz and Folk festival founder George Wein (89).”

Herb Weiss is a Pawtucket-based writer. Contact him at hweissri@aol.com.

 

RI Music Hall of Fame is Poised to Honor the Best

Published in Pawtucket Times, April 18, 2014

Arthur “Pooch” Tavares, with nearly 60 years in the music business, continues to reach out to his old fans and to new generations as well. The 70-year-old Tavares is still performing about 75 concerts a year all over the world with three of the brothers (Perry “Tiny,” Antone “Chubby” and Feliciano “Butch”) who made up the original quintet which became know worldwide as simply Tavares. (Fifth brother Ralph retired from the road in the 1980s.)

The brothers grew up in the Fox Point and South Side neighborhoods of Providence and Tavares says, “The good lord has seen fit to keep us all together.” The most notable moment he remembers from his long career is when The Bee Gees gave his group “,” one of the key songs in the score to Saturday Night Fever, for which they won a 1977 Grammy Award. But running a close second is being inducted into the Rhode Island Music Hall of Fame.

“It’s quite an honor to be recognized for your music in the place where you were born,” states Tavares.

With just two weeks to go until the induction of this year’s class into the Rhode Island Music Hall of Fame (RIMHOF) on May 4, at The Met at the historic Hope Artiste Village, Vice Chair Rick Bellaire gives this columnist the details about those who are being recognized as Rhode Island’s best.

In announcing the RIMHOF Class of 2014, Bellaire says, “This initiative provides a great opportunity to acknowledge Rhode Island’s musical greats and celebrate their achievements and now we finally have an organization whose primary goal is to promote and preserve our state’s rich musical heritage. With actual exhibit space, coupled with our online archive, we have in place the tools to curate and showcase the best of Rhode Island’s musical artistry.”

Bellaire notes that it’s sometimes easy to forget, and even hard for some to believe, that such world-acclaimed artists actually have roots right here in Ocean State. “For the smallest state, Rhode island has produced an inordinately large number of truly great, successful and important artists and their devoted local fans helped to place them on the world stage. Tavares is a case in point.”

According to Bellaire, from their earliest days in the Fox Point neighborhood of Providence, it was clear the seven Tavares brothers were born to make music. They are recognized as pioneers in the evolution of R&B from the Soul era into the modern Funk and Disco movements of the ’70s and ’80s. They had over a dozen major hits and won a Grammy for “More Than A Woman,” their contribution to Saturday Night Fever. “But,” says Bellaire, “the best part of the Tavares story for me is not about how great they are or how successful they are. Everyone knows that. For me it’s about their journey. They worked really hard to get to the top. Their story will continue to inspire young musicians for decades to come.” Tavares will appear in concert on May 3 at Lupo’s Heartbreak Hotel.

Bellaire provides some background on the other new RIMHOF inductees:

The Castaleers are recognized as the state’s Rhythm & Blues trailblazers. They came together in the mid-1950s when members of various groups formed a permanent lineup consisting of Richard Jones (later replaced by Joe Hill), George Smith, Dell Padgett, Ron Henries and Benny Barros. In partnership with songwriters/producers Myron and Ray Muffs, they had four national releases and paved the way for the rest of Rhode Island’s R&B greats.

Paul Gonsalves of Pawtucket started out playing tenor sax in big bands including Count Basie’s. As a master of many styles, he became a pivotal figure in the evolution of post-war modern jazz. He joined Duke Ellington in 1950 and provided a crucial ingredient in the modernization of Duke’s sound. His place in the history books was guaranteed by his famous 27 chorus improvisation on “Diminuendo and Crescendo In Blue” at the 1956 Newport Jazz Festival.

Randy Hien of Woonsocket entered the music business in 1971 when he took on the job of reopening the old Loew’s State Theatre as The Palace in downtown Providence to present Rock ’n’ Roll concerts. When the Palace closed 1975, Randy purchased the original Living Room on Westminster Street by trading the keys to his Jaguar XKE for the keys to the club and the liquor license. He kickstarted Rhode Island’s original music scene by instituting a policy which welcomed bands who performed their own music. The club became the center of the state’s music scene and Randy its biggest supporter

Rhode Island Philharmonic Orchestra founder and conductor emeritus Francis Madeira initially came to Providence to teach music at Brown University in 1943. Finding no professional symphonic orchestra, he created one bringing together a 30-member ensemble that would bring the music of the European masters to the Ocean State. Maestro Madeira will be inducted into RIMHOF on May 10 during a performance by the Philharmonic at Veterans Memorial Auditorium in Providence.

Winston Cogswell of Warwick,was literally present at the birth of Rock ’n’ Roll after moving to Memphis, Tennessee in 1954. At Sun Records, as a guitarist, pianist, songwriter, arranger, producer and recording artist under the name “Wayne Powers,” he collaborated with some of the most important figures in music history including Johnny Cash, Jerry Lee Lewis and Roy Orbison. He returned to Warwick in 1960 and began working with pianist/composer Ray Peterson. The duo formed Wye Records with a third partner, engineer Ken Dutton, and their debut release as The Mark II, “Night Theme,” became a national hit. Wye remains the only Rhode Island label to score a Hot 100 hit.

By the end of the 1960s, Duke Robillard of Woonsocket had already earned a reputation as one of the finest blues guitarists in the state after stints with the short-lived original lineup of Roomful of Blues and Ken Lyon’s Tombstone Blues Band. In 1970, he reformed Roomful with a three-piece horn section to play jump blues and under his leadership, the band practically single-handedly revived the genre with two albums for Island Records. In the early 1980s, Duke began to pursue a solo career at Rounder Records. His jazzier side emerged with the release of “Swing” in 1987 to critical acclaim. “Duke recently told me he feels that, in music, blues is the universal language,” says Bellaire. “So I say, Duke Robillard is fluent in many languages!”

Freddie Scott of Providence moved to New York in 1956 and began his career as a songwriter for Don Kirshner working alongside to Carole King, Neil Sedaka and Paul Simon. His songs from this period were recorded by Ricky Nelson, Paul Anka, Tommy Hunt and Tommy Hunt. Freddie entered the charts as a singer himself in 1963 with “Hey Girl” written by his friends Carole King and Gerry Goffin. It hit Billboard’s Top 10 and is considered a classic today. In 1966, he scored a #1 R&B song with “Are You Lonely For Me.” His last album was “Brand New Man” in 2001.

In 1976, Cheryl Wheeler moved to Rhode Island to pursue a career in music on the Newport folk scene. She was quickly recognized as one of the finest songwriters and singers to surface in a decade or more. In 1986, her first album brought her national attention. Her song “Addicted” was taken all the way to #1 on Billboard’s Top 40 Country chart by superstar Dan Seals in 1988. Since then, she has released a series of albums of her comic and emotionally intense songs
which are considered singer-songwriter classics around the world. Says Bellaire, “Cheryl is a treasure. Her songs are perfect – every note and every word propels the story forward. She’s also a masterful performer. She can have you in tears one minute and rolling in the aisle the next. Every show is magical.”

RIMHOF Chair Bob Billington says, “This year’s honorees are amazing. Their histories in music are superior. Rhode Islanders should meet and greet them in person at our events. They will not be disappointed.”

Tickets for the Saturday, May 3 Tavares concert at Lupo’s and for the induction ceremonies and concert on Sunday, May 4 at The Met can be purchased at
http://www.rhodeislandmusichalloffame.com.

Herb Weiss, LRI ’12, is a Pawtucket writer who covers aging, health care and medical issues. He can be reached at hweissri@aol.com. He also serves on RIMHOF’s Board of Directors.

The Cowsills to Play the City’s Slater Park Fall Fest

Published August 9, 2013, Pawtucket Times

Some may think that the American musical sensation, The Cowsills, coming to the City of Pawtucket to jam, is as likely as a lightening bolt striking the same person twice. For one of the most successful family musical acts of the 1960s, this pop and rock ‘n roll group who came from Newport, was recently honored at the RI Music Hall of Fame and they are coming back to Pawtucket.

It was obvious to Slater Park Fall Fest organizer, Patty Zacks, that this would be a perfect match for Slater Park. When she watched the Cowsills perform at their April 28th ceremony at The Met, as they were inducted by the Pawtucket-based Rhode Island Music hall of Fame (RIMHOF), that this was a group she needed to present to her Event Planning Committee as a consideration for the Slater Park Fall Festival. The four surviving members (Paul, Bob, John and Susan, including two of their children) brought the house down at the Met, bringing back memories to the aging baby boomers surrounding the stage who danced and swayed to the familiar music they listened to more than four decades ago.

With the decision to book them for the Slater Park Fall Festival, the Comfort Inn, Hope Global, Lens Hotdog Haven, TD Bank, Tunstall Health Care, Webster Bank, all came to the plate to cover the costs of booking America’s musical family.

On September 22, 2013, the Cowills will open for the Pawtucket Teachers’ Alliance Pops in the Park concert, beginning their 80 minute set at 3:30 p.m, concluding at 5:00 p.m. (In case of rain look for their performance to take place same date and time at Tolman High School.)

During their opening act the Cowsills will play tribute to the decade of the 60s. While playing their own hit tunes, that will also play scores in tribute to their two deceased brothers Bill and Barry. Look for songs of the Partridge Family and other great songs musical hits from the 60s to be played.

Coming Home Last April

Looking back, Bob Cowsill says being inducted into the RIMHOF was just a blast. “It was such an uplifting, positive experience,” he said. “We had friends and relatives in the audience and it was very special for us to have them there,” especially seeing our fans.

As to the honor of receiving RIMHOF’s prestigious recognition, “When your home state comes calling and wants to recognize something that you accomplished in your life, well it does not get better than that”, notes Cowsill..

Cowsill actually had heard about the upcoming Pawtucket Arts Festival, noting that “we had great hope that we would return to perform. It is the same way a baseball team prefers to “play at home” that’s sort of what if felt like coming back to Pawtucket, a home where there would be many family members and friends scattered throughout the audience, he noted.

The Rhode Island Years

The Cowsills grew up just an hour’s drive from Pawtucket, on Aquidneck Island, where their names are still carved into a tree on the family homestead. The band was founded by four of the Cowsill brothers (Bill, Bob, Barry and John) in 1965. Within two years, it would encompass the entire family, with brother Paul, sister Susan, and their mother, Barbara (called “Mini-Mom” by her children) coming on board. Their father, Bud, became their manager. (Bob’s twin brother Richard is the only sibling who never joined the band.)

The Cowsills later became the creative inspiration behind the 1970’s television show, The Partridge Family, still in syndication today. In 1969, a twenty-something Michael Eisner, who would later become Disney’s CEO, came to visit the Cowsills’s at their home in Santa Monica, California. “He checked us out and quickly realized we were just musicians not actors,” Cowsill remembers. Wes Ferrell and Tony Romeo who wrote “Indian Lake” for the Cowsills would ultimately pen “I Think I Love You” for the Partridge Family theme song,

Even with the Cowsills not getting a central casting call to act in the upcoming television series, the Partridge Family, “the family angle just continued to evolve,” says Bob, stressing that it should not be considered “premeditated.” When it became difficult to interest musicians on Aquidneck Island to join the fledgling band, Cowsill notes that it became obvious that the younger siblings were the answer to filling the empty slots.

He notes that the group’s first big career break in 1964 came after playing in the basement disco of the MK Hotel, 38 Bellevue Ave., in Newport. From this performance came an invitation to play on the Today Show. Their 20 minute performance caught the attention of singer Johnny Cash and the group signed their first recording contract with his JODA Records label, releasing their first single, “All I Really Want To Be Is Me,” in 1965.

Taking on Simon and Garfunkel

Cowsill recalls how his group’s first single was pitted against “The Sound of Silence” on a WPRO radio contest. When the votes were tabulated, the Newport band “won by a landside,” with their family and friend’s overwhelming the switch board with their votes. Over forty five years later, he still laughs when remembering the Cowsills’ victory over America’s most recognizable musical duo, Simon and Garfunkel.

From the late ’60s into the early ’70s, the Cowsills appeared on many popular television shows, among them: The Ed Sullivan Show, American Bandstand, The Tonight Show starring Johnny Carson, the Mike Douglas Show, and the Johnny Cash Show. They even hosted their own NBC TV special called “A Family Thing.”

Cowsill remembers singing with Johnny Cash, especially the spiritual tunes sung by the great Country Western singer. He says that getting booked on The Ed Sullivan Show was like climbing to the proverbial mountain top. “It was live television back then. If you goofed up, you goofed up. There is a lot of pressure with the whole country watching you,” he says.

“Bewilderment,” says Cowsill, thinking about his two performances on The Ed Sullivan Show. The group had contracted to appear ten times which would have put them on Sunday’s most popular show more times than The Beatles. But a fiasco over a microphone that was accidentally turned off between Sullivan’s son-in-law and Bud Cowsill resulted in the cancellation of the remaining eight shows, he said. “Dad was just a hot head, he just crossed the line one too many times. In this situation it just cost us appearing on eight Ed Sullivan Shows.”

Before the young Cowsills had their first hit record, they were hired as one of the headliners, along with Ray Charles, Stevie Wonder, The Byrds and The Beach Boys (all Rock and Roll Hall of Fame inductees) for Soundblast ’66 at Yankee Stadium in New York. “We were in pop wonderland. It was just unbelievable. Somehow, my father worked magic and got us to Yankee Stadium for this show. We were not famous at the time but apparently good enough to play for the crowd.”

“I still can’t believe we got this gig,” the aging Cowsill said. “I am 16 years old and playing in Yankee Stadium with these nationally recognized musical groups. At sound check, he and his brother Paul sat on a bench in the dugout just watching everything. “My jaw must have dragged on the floor,” he said. .

A Gold Record to Remember

In 1967, the Cowsills first MGM release, “The Rain, The Park & Other Things,” sold over one million copies and was awarded a gold record. This song would ultimately reach No. 2 on the Billboard Hot 100 and No. 1 in Cash Box and Record World.

One year later, the band scored another near million-selling hit with the song “Indian Lake,” reaching No. 10 on the charts and in 1968, the band hit No. 1 again with their version of “Hair,” a three-million seller which brought them a nomination for 16 Magazine’s Best Group of 1970. “Hair” was banned from Armed Forces radio in Viet Nam for being too controversial, noted Cowsill, stating that “we were amused at the time because our brother, Richard, who was in Vietnam reported back that they were playing it everywhere!”

The Cowsills would become spokespersons for the American Dairy Assn. (ADA) with their “Milk Song” appearing in commercials and their images in print ads promoting milk. The group would be referenced in trivia game questions and twice on David Letterman’s Top Ten List.

In 1969, The Cowsills became the first rock group to record a theme for a television show, “Love American Style.” Their melodic sound has also been featured in movies such as “The Impossible Years” and “Dumb and Dumber” and other TV shows including “The Wonder Years” and “The Simpsons.”

Recently, a feature-length film, “Family Band – The Story of The Cowsills,” which documents the rise and fall of the group was featured on cable TV in March, running for five months. The Showtime documentary took eight years to produce. “The strength of the move comes from the story line itself,” Cowsill said, stressing that it drove the hour and a half documentary. Many of the viewers saw their families in his family’s drama, he said.

Today, Cowsill and his siblings John, Susan and Paul, plus two of the band member’s sons, continue to play concerts across the country at casinos, fairs and music festivals, and this year on Sunday, September 22 at 3:30pm – they will perform for us at Slater Park. For more than 27 years, the sixty-three year old musician has been playing at Pickwick’s Pub in Woodland Hills, California, every Friday night, once again performing the songs of the Beatles and The Byrds. During the day, Bob Cowsill coordinates medical conferences across the country, providing medical coding services to emergency departments, and assists in developing and installing software for use in emergency rooms.

For more information about the Cowsills, to leave a message on the group’s guestbook, or to sign a petition to get them into the Rock and Roll Hall of Fame, visit: http://www.cowsill.com.

Legendary Cowsills to Come Home to Be Recognized By Their Own

Published January 25, 2013, Pawtucket Times

Bob Cowsill, of Rhode Island’s legendary Cowsills, has come full circle in his forty year musical career. Now living on the West Coast, the nationally-acclaimed musician and his band member siblings are planning a trip back to their childhood home. On Sunday, April 28th at the Hope Artiste Village complex in Pawtucket, they will be inducted into the Rhode Island Music Hall of Fame (RIMHOF).

Beginning a Musical Journey

The Cowsills, who play pop and rock ‘n’ roll, are one of the most successful family musical acts of the 1960s. They grew up just an hour’s drive from Pawtucket, on Aquidneck Island where their names are still carved into a tree on the family homestead. The band was founded by four of the Cowsill brothers (Bob, Bill, Barry and John) in 1965. Within two years, it encompassed nearly the entire family with the additions of brother Paul, sister Susan, and their mother, Barbara (“Mini-Mom”). Their father, Bud, became their manager. (Bob’s twin brother Richard is the only sibling who never joined the band.) The Cowsills later became the creative inspiration for the 1970’s television show, The Partridge Family, still in syndication today.

The Cowsills were the first of the family rock groups, opening the door for others, says Bob, the eldest of the musical clan. Those following in their footsteps included The Jackson 5 and The Osmonds, who made the switch to rock following the Cowsills’ success.

“The family angle just evolved,” says Cowsill, stressing that it should not be considered “premeditated.” When it became difficult to interest musicians on Aquidneck Island to join the fledgling band, Cowsill notes that it became obvious that the younger siblings were the answer to filling the empty slots.

In the mid-sixties, the Cowsills were hired as a regular act on Bannister’s Wharf, playing weekly at Dorians, in Newport, “at that time a rough Navy town,” says Bob.

He notes that the group’s first big career break in 1964 came after playing in the basement disco of the MK Hotel, 38 Bellevue Ave., in Newport. From this performance came an invitation to play on the Today Show. Their 20 minute performance caught the attention of singer Johnny Nash and the group signed their first recording contract with his JODA Records label, releasing their first single, “All I Really Want To Be Is Me,” in 1965.

America’s Musical Family

Cowsill recalls how that first single was pitted against “The Sound of Silence” on a WPRO radio contest. When the votes were tabulated, the Newport band “won by a landside.” To this day, he still chuckles when remembering the Cowsills’ victory over America’s most recognizable musical duo, Simon and Garfunkel.

From the late ’60s into the early ’70s, the Cowsills appeared on many popular television shows, among them: The Ed Sullivan Show, American Bandstand, The Tonight Show starring Johnny Carson, the Mike Douglas Show, and the Johnny Cash Show. They even hosted their own NBC TV special called “A Family Thing.”

“Bewilderment,” says Cowsill, thinking about his two performances on The Ed Sullivan Show. The group had contracted to appear ten times which would have put them on Sunday’s most popular show more times than The Beatles. But a fiasco over a microphone that was accidentally turned off between Sullivan’s son-in-law and Bud Cowsill resulted in the cancellation of the remaining eight shows, he said.

Before the young Cowsills had their first hit record, they were hired as one of the headliners, along with Ray Charles, Stevie Wonder, The Byrds and The Beach Boys (all Rock and Roll Hall of Fame inductees) for Soundblast ’66 at Yankee Stadium in New York. “We were in pop wonderland. It was just unbelievable. Somehow, my father worked magic and got us to Yankee Stadium for this show. We were not famous at the time but apparently good enough to play for the crowd.”

Bringing Home the Gold

In 1967, the Cowsills first MGM release, “The Rain, The Park & Other Things,” sold over one million copies and was awarded a gold record. This song would ultimately reach No. 2 on the Billboard Hot 100 and No. 1 in Cash Box and Record World.

One year later, the band scored another near million-selling hit with the song “Indian Lake,” reaching No. 10 on the charts and in 1968, the band hit No. 1 again with their version of “Hair,” a three-million seller which brought them a nomination for 16 Magazine’s Best Group of 1970. “Hair” was banned from Armed Forces radio in Viet Nam for being too controversial, noted Cowsill, stating that, “We were amused at the time because our brother, Richard, who was in Vietnam reported back that they were playing it everywhere!”

Baby boomers may remember the Cowsills taking on the role as spokespersons for the American Dairy Assn. with their “Milk Song” appearing in commercials and their images in print ads promoting milk. Cowsill also notes that his group has been referenced in trivia game questions and twice on David Letterman’s Top Ten List.

In 1969, The Cowsills became the first rock group to record a theme for a television show, “Love American Style.” Their melodic sound has also been featured in movies such as “The Impossible Years” and “Dumb and Dumber”, and other TV shows including “The Wonder Years” and “The Simpsons.”

A feature-length film, “Family Band – The Story of The Cowsills,” which documents the rise and fall of the group is coming to cable TV in March. “It will show what really happened in our family band,” says Cowsill.

The Cowsills disbanded in the early 1970s but most of them have never fully retired from the music business and various members have regrouped through the years.

Cowsill and his siblings John, Susan and Paul, plus two of the band member’s sons, continue to play concerts across the country at casinos, fairs and music festivals. Today, he’s come full circle in his career. For more than 27 years, the sixty-three year old musician has been playing at Pickwick’s Pub in Woodland Hills, California, every Friday night, once again performing the songs of the Beatles and The Byrds. During the day, Cowsill coordinates medical conferences across the country, provides medical coding services to emergency departments, and assists in developing and installing software for use in emergency rooms.

On April 28th, 2013, The Cowsills will be inducted into The Rhode Island Music Hall Of Fame along with Steve Smith & The Nakeds, Bobby Hackett, Paul Geremia, Jimmie Crane, Eddie Zack, Sissieretta Jones, George M. Cohan and Bill Flanagan.

Reflecting on this upcoming recognition, Bob says, “The fact that we are being inducted into RIMHOF and not the Rock and Roll Hall of Fame is more special to us. There is a little bit more meaning to us because we are Rhode Islanders, to be recognized by our own. It is very cool to go to Pawtucket rather than Cleveland!”

For more information about the Cowsills, to leave a message on the group’s guestbook, or to sign a petition to get them into the Rock and Roll Hall of Fame, visit: http://www.cowsill.com.

Tickets for the 2013 induction are $20 in advance or $25 at the door for the evening ceremonies and concert, and $10.00 in advance or at the door for the afternoon events. The Cowsills will perform in the evening. Tickets are available at http://www.rhodeislandmusichalloffame.com.

Herb Weiss, LRI ’12, is a Pawtucket-based freelance writer who covers aging, health care and medical issues. He can be reached at: hweissri@aol.com. He also serves on RIMHOF’s Board of Directors.