Slater Mill Showcases Classic Rock ‘n’ Roll Flick  

Published in the Woonsocket Call on October 11, 2015

When planning the 2nd Annual S.A.M. Fest, in conjunction with this years Pawtucket Arts Festival, Slater Mill’s Executive Director, Lori Urso scheduled a showing of Jim Wolpaw’s “Complex World.” Urso, also a professional musician, knew featuring the film at her event in August was a great way to both promote a local Providence filmmaker and give homage to The Young Adults, a popular rock band playing at the nonprofit’s weekend festival, too.

Rediscovering a Classic Film at S.A.M. Fest

On Aug. 30, more than 80 people gathered early evening at Hodgson Rotary Park to watch on a big outdoor screen the 81-minute offbeat cult rock ‘n’ roll comedy filmed at Providence’s Lupo’s Heartbreak Hotel. While the film attracted the curious, many adoring and loyal fans of The Young Adults came to check out the flick, too, says Urso.

The Complex World captures one night at Lupo’s Heartbreak Hotel, with its zany plot involving terrorists, political conspiracy, 100 pounds of explosives in the bar’s basement and drugs, with music from iconic Providence bands such as the Young Adults, NRBQ and Roomful of Blues. The film had a brief two-month run in a Boston and one week in New York City, and it garnered good reviews. However, a distribution deal with Hemdale, a major film distributor that released “The Terminator” and the “Last Emperor,” fell through, ending up in a lawsuit. Even though Wolpaw won his case and a small settlement, the legal battle sealed the film’s fate. Over the years, the filmmaker’s DVDs have been sold on a website, and the last public showing was in 2010, for two days at the Providence-based Cable Car to raise money for a local charity.

Urso, 51, remembers being an extra during the 1987 film shoot, “a biker chick hanging out in the bar’s parking lot” at 79 Washington St.  “Quite a few people that I knew showed up to be extras that night. I’m glad I was able to be part of it,” she said.

Rudy Cheeks one of the founders of Young Adults and co-writer of the Phillip & Jorge column published in “Motiff Magazine,” was in attendance during the S.A.M. Fest screening, and he observed people of all ages in attendance, many of whom watched the film for the first time.

Even though the film was produced about 25 years ago, “it’s held up pretty well over the years,” says Cheeks. “The strongest part of the film was its ‘mise en scène,’ the capturing of the inside atmosphere of the bar.”

Adds, Rick Bellaire, Chair and Archive Director of Pawtucket-based Rhode Island Music Hall of Fame, the Wolpaw’s Indie film produced outside of the major film studio system, is a great Rock and Roll documentary.  “It was a snap shot of what was happening in the Rhode Island music scene at the time the film was shot,” he says.

The Making of a Classic Film

While it took about two-and-a-half months to shoot the film in 1987, it took more than two years to bring “Complex World” to the screen of the Cable Car Theatre in 1990, says Wolpaw, noting that it ran for a record four months. The veteran filmmaker, who was nominated for an Academy Award for a 1985 documentary, was brought into this film project by Rich Lupo, the owner of Lupo’s Heartbreak Hotel, who just happened to be his roommate at Brown University and later a bartender and manager at the Providence bar.

In 1970, when both young men graduated from Brown University they shared their dreams. Lupo planned to open up a bar with music while Wolpaw wanted to become a filmmaker.  Wolpaw agreed to use Lupo’s bar in film if he opened on up.  “I never would have believed at that time we would both end up at that place,” says Lupo.

According to Wolpaw, the efforts to create and fund a film began a year before the bar was going to be torn down to make way for condos. The film was to use Lupo’s as a basis for the movie to “explain the spirit of the bar,” he said, noting that it would be shot like a documentary film.

Lupo invested the most to produce the film, but with increased costs, other friends chipped in, said Wolpaw. The unique film stood out among films that were produced in Hollywood, he said, “noting it was not the typical movie.”

Two years of editing and reshoots would later result in the final film, says Wolpaw, noting that over the years and even at the Slater Mill screening he “had trouble watching it.” Shooting the film like a documentary just did not work for the plot, he said, but it captured an early era of the Providence music scene.

Even after more than two decades since being released, orders for “Complex World” keep trickling in, says Wolpaw, who has worked as an adjunct film professor at Emerson College in Boston, the University of Rhode Island and the Rhode Island School of Design. He is pleasantly surprised that orders come in from such faraway places as British Columbia and France.

A Prolific Filmmaker  

Besides his Classic “Complex World,” Wolpaw is known for innovative approaches in considering artists and issues in the arts, and he has an impressive number of films under his belt:  “Cobra Snake for a Necktie” (Showtime 1980), a portrait of rock ‘n’ roll legend Bo Diddley; “Loaded Gun: Life, and Death, and Dickinson” (PBS 2003, INPUT 2004), a quirky look at poet Emily Dickinson that was chosen by “The Library Journal” for its list of Best Poetry Films; and “First Face: The Buck Starts Here” (PBS 2011), an accounting of the dollar bill portrait of George Washington.

Even at 67, Wolpaw, who has won awards at more than a dozen film festivals worldwide, has not slowed down. He is still working on three projects, a film about Cleveland poet and activist Daniel Thomson, one detailing the history of Rhode Island’s Ladd Center and a fictional narrative film about poet Dickinson. Hopefully, they will have a long shelf life and audience like “Complex World.”

“Complex Word” can capture viewers who wish to relive their experiences at Lupo’s, and purchases of the DVD benefit the Gloria Gemma Foundation and Advocates in Action. For details, go to www.complexworldthemovie.com.

 

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Wolpaw’s the Reel Deal

Published in Senior Digest on September 2015

When planning the 2nd Annual S.A.M. Fest, in conjunction with the Pawtucket Arts Festival, Slater Mill’s Executive Director, Lori Urso scheduled a showing of Jim Wolpaw’s “Complex World.” Urso, also a professional musician, knew featuring the film at her event last month was a great way to promote a local Providence filmmaker and give homage to The Young Adults, a popular rock band playing at the nonprofit’s weekend festival.

 Rediscovering a Classic Film at S.A.M. Fest

On Aug. 30, more than 80 people gathered early evening under the large white tent at Hodgson Rotary Park to watch on a big outdoor screen the 81-minute offbeat cult rock ‘n’ roll comedy filmed at Providence’s Lupo’s Heartbreak Hotel. While the film attracted the curious, many adoring fans of The Young Adults came to check out the flick, too, says Urso.

The story captures one night at Lupo’s Heartbreak Hotel, with its zany plot involving terrorists, political conspiracy, 100 pounds of explosives in the bar’s basement and drugs, with music from iconic Providence bands such as the Young Adults, NRBQ and Roomful of Blues. The “Complex World’ had a two-month run in a Boston and one week in New York City, and it garnered good reviews. However, a distribution deal with Hemdale, a major film distributor that released “The Terminator” and the “Last Emperor,” fell through, ending up in a lawsuit. Even though Wolpaw won his case and a small settlement, the legal suit sealed the fate of the film. The filmmaker’s DVDs are sold on a website, and the last public showing was in 2010, for two days at the Cable Car in Providence to raise money for a charity.

Urso, 51, remembered being an extra during the 1987 film shoot, “a biker chick hanging out in the bar’s parking lot” at 79 Washington St.  “Quite a few people that I knew showed up to be extras that night. I’m glad I was able to be part of it,” she said.

Rudy Cheeks one of the founders of Young Adults and co-writer of the Phillip & Jorge column published in “Motiff Magazine,” was in attendance during the S.A.M. Fest screening, and he observed people of all ages in attendance, many of whom watched the film for the first time.

Even though the film was produced about 25 years ago, “it’s held up pretty well over the years,” says Cheeks. “The strongest part of the film was its ‘mise en scène,’ the capturing of the inside atmosphere of the bar.”

 The Making of a Classic Film

While it took about two-and-a-half months to shoot the film in 1987, it took more than two years to bring “Complex World” to the screen of the Cable Car Theatre in 1990, says Wolpaw, noting that it ran for a record four months. The veteran filmmaker, who was nominated for an Academy Award for a 1985 documentary, was brought into this film project by Rich Lupo, the owner of Lupo’s Heartbreak Hotel, who just happened to be his roommate at Brown University and later a bartender and manager at the Providence bar.

According to Wolpaw, the efforts to create and fund a film began a year before the bar was going to be torn down to make way for condos. The film was to use Lupo’s as a basis for the movie to “explain the spirit of the bar,” he said, noting that it would be shot like a documentary film.

Lupo invested the most to produce the film, but with increased costs, other friends chipped in, said Wolpaw. The unique film stood out among films that were produced in Hollywood, he said, “noting it was not the typical movie.”

Two years of editing and reshoots would later result in the final film, says Wolpaw, noting that over the years and even at the Slater Mill screening he “had trouble watching it.” Shooting the film like a documentary just did not work for the plot, he said, but it captured an early era of the Providence music scene.

Even after more than two decades since being released, orders for “Complex World” keep trickling in, says Wolpaw, who has worked as an adjunct film professor at Emerson College in Boston, the University of Rhode Island and the Rhode Island School of Design. He is pleasantly surprised that orders come in from such faraway places as British Columbia and France.

 A Prolific Filmmaker  

Besides his Classic “Complex World,” Wolpaw is known for innovative approaches in considering artists and issues in the arts, and he has an impressive number of films under his belt:  “Cobra Snake for a Necktie” (Showtime 1980), a portrait of rock ‘n’ roll legend Bo Diddley; “Loaded Gun: Life, and Death, and Dickinson” (PBS 2003, INPUT 2004), a quirky look at poet Emily Dickinson that was chosen by “The Library Journal” for its list of Best Poetry Films; and “First Face: The Buck Starts Here” (PBS 2011), an accounting of the dollar bill portrait of George Washington

Even at 60, Wolpaw, who has won awards at more than a dozen film festivals worldwide, has not slowed down. He is still working on three projects, a film about Cleveland poet and activist Daniel Thomson, one detailing the history of Rhode Island’s Ladd Center and a fictional narrative film about poet Dickinson. Hopefully, they will have a long shelf life and audience like “Complex World.”

“Complex Word” can capture viewers who wish to relive their experiences at Lupo’s, and purchases of the DVD benefit the Gloria Gemma Foundation and Advocates in Action. For details, go to www.complexworldthemovie.com.

David Barber Dies at 60. the Face of “Straight from the Gavel”

 

Published in Woonsocket Call on July 12, 2015

David Barber, an award-winning broadcaster veteran with extensive experience in talk radio programming, radio and TV sales management, television programming and commercial production and ad agency and public relations expertise, died on July 4, 2015.  He was 60.

On a trip to Flint Michigan to attend a friend’s wedding, Mr. Barber died, Saturday, July 4, from a stroke and heart attack he had on Thursday, June 25, says his brother Larry Barber.  The family is planning to hold a memorial service in Rhode Island and will announce the specifics shortly, he says.

He grew up in Flint, Michigan, graduated from Mount Morris High School  and received his bachelor’s degree in business from Central Michigan University in Mt. Pleasant, Michigan.

A Watch Dog for the Public

The Flint Michigan native, a seasoned award-winning radio broadcaster on WTRX-AM (1130), WTAC (600), and WFDF (910) radio stations, became the watch dog for his listeners in his hometown and the surrounding area, using his microphone to protect the public interest.  Known as an outspoken and controversial and opinionated talk show host, Mr. Barber’s listeners regularly tuned into to see him taking on some of the biggest political heavy weights and corrupt elected officials in Michigan.

In 2006, recognizing the need to move up in his radio career, Mr. Barber took a professional risk relocating to Providence, Rhode Island radio market, taking the helm of  WPRO’s daily talk radio show, from 9:00 a.m. to Noon, the time slot formerly held by Steve Kass.  After a year, even after getting an excellent rating on his first job performance review, Mr. Barber was suddenly let go, when John DePetro, a former WHJJ radio host left his job in Boston and was hired by the station.   During his brief hiatus for WPRO, as a talk radio host he brought his liberal blue-collar views to New York-abased Air America Radio Network , specializing in progressive talk programming.

Mr. Barber made Talker’s Magazine’s Heavy 100, listing of the nation’s talk show hosts, getting this prestigious designation three times. His show was selected along with the likes of Rush Limbaugh, Sean Hannity, Don Imus, Dr. Laura Schlessinger and others.

Bringing the General Assembly to the People

Ultimately, when hired by the Rhode Island General Assembly’s Capitol Television in 2008, Mr. Barber traded in his WPRO radio mic for a hand-held mic on a state cable channel. .

As Capitol Television host, as the only on-air person, Mr. Barber interviewed the state’s elected and government officials and even cultural icons.  With experience gleaned from being a talk show host in the Flint/Twin Cities radio market, at WEYI Television NBC, he easily brought the mysteries of political sausage making (that is the political process) to the tens of thousands of viewers who tuned into “Straight from the Gave,” a half hour sit down segment with state legislators.  He was never happier being in a job surrounded by politics 24/7.

According to Capitol Television, considered Rhode Island’s C Span, it is estimated that Mr. Barber hosted 390 episodes of “Straight from the Gavel, and about 600 Capitol Spotlights, a five-minute stand-up segment with members of the state’s General Assembly.

As a Trustee of Slater Mill, Mr. Barber, considered by many to be a marketing wiz with his skills honed at Davison, Michigan-based Parr Media Advertising, brought the nuts and bolts of media and public affairs to America’s most historic mill.  Mr. Barber also served on the Board of Directors of the Salvation Army in Pawtucket and did charitable work for the Boys and Girls Club of Pawtucket.  Before relocating to the Ocean State from Michigan, he served on the Board of Directors of the American Lung Association and hosted television telethon’s for the Easter Seals Society, the American Diabetes Association, United Way and Big Brothers and Sister, among a few.

An entertainer at heart, Mr. Barber, an avid Frank Sinatra fan, would take any opportunity to sing the songs of  Sinatra, one of the nation’s best selling musical artist of all time.  On many occasions, he sang at Millonzi’s Bar and Grille in West Warwick and other local lounges, even taking the opportunity to sing with the legendary Cowsills, in Pawtucket’s Slater Memorial Park during the Pawtucket Arts Festival.

Work hard, play hard might have even been Mr. Barber’s mantra. After a long- work week, on weekends you might just see him, very tanned and immaculately dress,  puttering around South County on his creamed-colored Vespa to view “the majestic Narragansett surf” at Bonnet Shores Beach Club (he was a member), even enjoying an occasional ride over the iconic Newport Bridge.  Or may be you might have seen the Warwick resident leisurely reading a New York Times at his favorite East Greenwich breakfast joint, the Main Street Café.

Making a Home in Rhode Island

It was not easy for Mr. Barber to leave his family and friends to relocate to a new state where nobody knows who you are.  “The move was far more difficult than I expected,” he says in a 2010 blog, posted by Rich Frost with What The Hell…

“I did not know a single person and to be honest with you, I don’t know if I would have made a move if I knew what I know now,” noted Mr. Barber in his interview.

Television Director Jason Golditch, who directed many of Mr. Barber’s programs at Capitol Television, Television Director, noted that Capitol TV’s new host ultimately adapted well to his new state.  “Over time he truly grew to love this state,” Golditch says, noting that his colleague would often say, “It doesn’t get much better than this, can you believe it.”

According to Golditch, when a film shoot took place, the Capitol Television’s only on air person would just start talking to people and they got along so well they began swapping stories. “He would find so much joy in meeting new people and talking with them on any subject,” he says.

Adds, Editor Carlos Diaz, at Capitol Television, Mr.Barber was a “real friend,” to him and hundreds of others who could count on his help at any time of the day or night.  “He helped who ever he could, even those he did not know,” he says.

“There were postings on Face Book from people all over the nation, from all walks of life, friends he made throughout his 60 years of living,” says Diaz, all praying for his recovery. “That was amazing,”

Herb Weiss, LRI ’12, is a Pawtucket writer covering aging, health care and medical issues.  He can be reached at hweissri@aol.com.

 

Throughout the Years at the Pawtucket Arts Festival

Published in Pawtucket Times, September 5, 2015

It was over 16 years ago when Kristine Kilmartin married Pawtucket Rep. Peter Kilmartin. The Smithfield native had lived in the city for a few months and. while she was driving through Slater Memorial Park in January 1999 with her new husband, she asked, “Why doesn’t the City take more advantage of its green space?” She wondered why Pawtucket couldn’t plan an event like the Scituate Arts Festival in its vast 209-acre park.

Ultimately, the Kilmartins turned to Mayor James E. Doyle with the idea of creating an arts festival. The green light was given and the work began. After a month of meetings, discussion and planning, the City’s 18-person committee kicked off its first arts festival in June 1999.

“It is hard to believe that 16 Pawtucket Arts Festivals have gone by so fast,” says Attorney General Peter F. Kilmartin, who has served as an honorary co-chair with his wife, Kristine, since its inception. “When we began in 1999, there was a lot of uncertainty about the event’s success and longevity, as with any new venture,” recalls the lawyer and former Pawtucket police officer. My how the Pawtucket Arts Festival has grown.

Kilmartin remembers the Opening Gala was scarcely attended. However, the organizers were not discouraged, he says. “Everyone involved felt we had a good product, and as long as we stuck with it we would be successful,” he added.

Over the years city officials and many dedicated volunteers continued to work hard, he notes, stressing that it “now feels like the Pawtucket Arts Festival is a permanent part of our community.”

With the diversity and quality of programming over 16 years, Kilmartin finds it hard to single out one particular favorite event. But, when pressed by this tenacious columnist, he admits, “We enjoyed the Philharmonic in the Park and the Dragon Boat races,” noting that these two signature events provide “great family fun.”

Looking forward, the fifty-two-year-old lifelong Pawtucket resident believes that new forms of community outreach must happen to attract more people to the festival, this being vital for the Arts Festival’s continued growth and future success. The Attorney General also calls for the broadening of the artistic diversity and ethnicity of its programming, keeping the month-long Arts Festival “fresh.”

A Look Back: Just a Small Sampling

Since 1999, Pawtucket’s Arts Festival organizers have created a citywide showcase of visual and performing arts, interactive workshops, music, theatre and dance performances. Where else could you enjoy a wide variety of music, from blues, jazz, Zydeco, classical, folk, and even pops? Over the years 50,000 people came to listen to the Rhode Island Philharmonic Pop Orchestra, the event concluding with a dazzling firework show over the park’s pond.

Over 15 years, what a listing of musical groups that have played the Pawtucket Arts Festival. World famous Jazz artists Dave McKenna, Scott Hamilton and Gray Sargent, Grammy-nominated Duke Robillard, the internationally acclaimed “Ambassador to the Blues,” and Consuelo and Chuck Sherba’s Aurea, a performance ensemble thrilled the audiences. Many came to dance to the tunes of French-Canadian Conrad Depot, Celtic group Pendragon, folk musicians Atwater & Donnelly and Plain Folk to name a few. Many of these groups appeared on the stages at Slater Mill’s Ethnic and Labor Festival and the Stone Soup Coffee House at Slater Memorial Park or at the folk group’s home venue at St. Paul’s Parish House.

Both young and old alike enjoyed watching the Big Nazo Puppets, clowns or listening to story tellers, including Mark Binder and Valerie Tutson. Parents and their children even packed Shea High School’s auditorium to watch the incredible Dan Butterworth’s Marionette show.

And where else could your children learn the art of making glass, raku pottery or carving stone and wood? Of course, at the City’s Arts Festival. Children workshops, led by Lee Segal, taught tile painting. Youngsters learned how to create sculptures out of junk pulled from the Blackstone River. Only in the City of the “Industrial Revolution” if you had attended one of our art festivals over the last 15 years.

Every year at the City’s Festival Pier thousands of spectators have lined up along the Seekonk River to watch the Dragon Boat races. Art lovers visited one-of-a kind exhibits in art galleries and artist studios throughout Pawtucket. Those attending the City’s Arts Festival watched performances by the Everett Dance Theatre, Fusionworks, Cadence Dance Project, and great plays at the Sandra Gamm Feinstein Theatre, Mixed Magic Theater and Community Player. Film buffs came to meet writers and filmmakers at the Pawtucket Film Festival, questioning these individuals about their film-making techniques.

For movie buffs, Pawtucket-based Mirror Image, has organized its Pawtucket Film Festival for over 15 years in the 100-seat theater in the City’s Visitor Center. Rhode Islander Michael Corrente was one of the more notable film makers who accepted an invitation to attend, and many others followed. The film organizers even brought the internationally-acclaimed Alloy Orchestra to perform a live, original score for Man With a Movie Camera at Tolman High School.

You were also able to watch classic films at other Arts Festival venues, too. One year dozens came to watch Cinema Paradiso (with English subtitles) by Giuseppe Tornatore, projected on the walls of a mill building on Exchange Street, with live music.

Hundreds also gathered at Slater Park to watch chain saw-toting environmental artist and sculptor Michael Higgins Billy Rebele create pieces of artwork on salvaged tree stumps.

While focusing on bringing artistic and musical events, festival organizers did not forget to bring public art into the City. In 15 years, six permanent sculptures were donated to the City of Pawtucket. An original oil painting of the Hope Webbing Mill in Pawtucket, painted by internationally-recognized Artist Gretchen Dow-Simpson, was purchased and donated to the City in 2004, and is now showcased in the Mayor’s Office.

Some Pawtucket Arts Festival Trivia…

As Kilmartin remembered, the first opening gala, held in the City library is 1999 attracted a small crowd, around 35 people. At the end of the evening each person was given Ronzio pizzas to take home. Last year we saw over 2,000 people gather at this long awaited opening event. Crowds at the Dragon Boat races have also held steady over the years, bringing thousands to the City’s Festival Pier. For over a decade, over 6,000 people have attended the Rhode Island Philharmonic Orchestra Concert in Slater Memorial Park. The Pawtucket Teachers’ Alliance, with their very generous $15,000 donation continue to make this event happen.

For 15 years, Patricia Zacks, of the Providence-based Camera Werks and lifelong Pawtucket resident, has organized a photo contest at every arts festival, which includes participation from students from Pawtucket Public Schools, where winning photos are judged by some of the State’s top recognized photographers select their favorite photos that will appear in the City of Pawtucket’s Photo Calendar. Thousands of Pawtucket students also learned the art of photography from Zacks and over 180 scenes of Pawtucket have appeared in these calendars.

During these years, the Taiwan Economic and Cultural Office in Boston also sponsored the Chinese performances that were held throughout the day of the Dragon Boat races. Pawtucket’s annual race is now being promoted nationally by other Dragon Boat festivals. In its second year, in 2000, the Dragon Boat races second year, American Airlines donated 18 free round trip tickets to Taiwan to the winning boat, an estimated value of $60,000. This year the winning professional team will take home $10,000, while the local team winner will receive $5,000.

In the early years trolley tours led by Zacks of the Pawtucket Arts Collaborative and Len Lavoie, of RICIR, initially organized trips to mill buildings throughout the City. Because of these trolley tours, at least two couples have relocated to Pawtucket to live in mill lofts in the City’s historic downtown. The trolley tours, showcasing Pawtucket artist’s one-of-a-kind works, would later be replaced by XOS- Exchange Street Open Studios and Arts Market Place Pawtucket at the historic Pawtucket Armory.

In 2005, from an idea sparked by then program chair, Patricia Zacks and community activist and Stone Soup President, Richard Walton, led them to meet with Paw-Sox executives to ‘go big’ which set off a series of acts to perform at McCoy Stadium beginning in 2006. These artists included: Bob Dylan, (twice), John Mellencamp, Counting Crows, Drop Kick Murph’s; Kenny Loggins and the Boston Pops Orchestra; Further and Willie Nelson.

Since 1999 the steady growth of participating artists, corporate sponsors, volunteers and attendees indicate quality programming and a well-managed event that has become a permanent fixture in the Pawtucket community. Over 16 years, the Pawtucket Arts Festival has awakened the pride of Pawtucket’s residents and continues to stimulate the creative energies of its artist community, and have an economic impact on the City.

Chair John Baxter and his hard working Board of Directors (Rich Waltrous, Keith Fayan, Lori-Ann Gagne and this columunist), Arts Festival Manager Joe Giocastro, Artistic Director Mary Lee Partington, and Volunteer Coordinators Patricia Zacks and Paul Audette, prepare to unveil this year’s Arts Festival tonight at the Blackstone River Party/Taste of Pawtucket at 6 p.m. at Slater Mill. Let the show begin. See you there.

For a complete event listings go to http://www.pawtucketartsfestival.org, or 1-800-454-2882.

Herb Weiss, LRI ’12, is a Pawtucket-based writer who covers aging, medical and health care issues. He can be reached at hweissri@aol.com. He serves as the Pawtucket’s Economic & Cultural Affairs officer and sits of the Board of Directors of Pawtucket Arts Festival.